| Marked | Signed in diamondpen underneath the base: Tapio Wirkkala – Iittala (ca 1955) & '57 (1955) |
|---|---|
| Execution | Iittala glassworks, Finland, ca 1955 & 1957 |
| Condition | These art objects are in good vintage condition. Some minor scratches underneath the base consistent with age and use. No cracks or chips. |
| Literature | Marianne Aav, Tapio Wirkkala eye, hand and thought: p. 300 |
| Dimensions | Height 27,5 & 16,3 cm |
Tapio Wirkkala – A set of both sizes crystal art-object, model 3520 – Iittala Finland ca 1955 & 1957
€1,300.00
Beschikbaarheid: Op voorraad
Two turned mold-blown crystal art-objects with spiraled cut lines. These art-objects are model 3520 in the oeuvre of Tapio Wirkkala. It was designed in 1951 and hand made by the craftsmen at the Iittala glassworks, Finland ca 1955 & 1957.
The inspiration for this model – like most of Wirkkala’s designs – came from Nature. Like the “Cantharel” and “Boletus” – designed by Wirkkala in the same period – this model resembles a wild mushroom.
These art-objects were made between 1951 and 1960 in two sizes. This therefore is a complete set of both sizes. Both are marked (one also dated) underneath the base in diamondpen.
About Tapio Wirkkala
Tapio Wirkkala (1915 Hanko, Finland – 1985 Helsinki, Finland) A giant of Finnish design, possessed an extraordinary creative spirit that knew no boundaries. His artistic repertoire traversed diverse materials and transcended conventional design disciplines, leaving an indelible mark on the world of art and craftsmanship.
The trajectory of Wirkkala’s illustrious career was set in motion by a momentous glass design competition held by the revered Iittala glassworks in 1946. It was during this transformative event that Wirkkala, alongside the esteemed Kaj Franck, emerged as the joint recipients of the first prize. This recognition propelled Wirkkala into the spotlight, setting the stage for his remarkable artistic journey.
Wirkkala’s creative genius knew no bounds. His oeuvre spanned a vast spectrum, encompassing exceptionally beautiful glass art pieces, innovative industrial designs such as beer bottles and banknotes, meticulously crafted jewelry, evocative sculptures, and thoughtfully designed furniture. Each creation bore the unmistakable imprint of Wirkkala’s artistic prowess, showcasing his mastery over form, function, and aesthetics.
Throughout his illustrious career, Wirkkala amassed a multitude of accolades, honorary titles, and a doctorate, cementing his position as one of the most revered figures in the design world. His remarkable achievements include three Grand Prix medals at the prestigious Milan Triennale in 1954, followed by yet another Grand Prix medal and gold medal at the Milan Triennale in 1960. These prestigious awards not only celebrated Wirkkala’s unrivaled talent but also underscored his profound impact on the global design landscape.
Wirkkala’s creative journey was an embodiment of innovation, pushing the boundaries of design and challenging conventional norms. His unparalleled ability to infuse beauty into everyday objects and elevate them to the realm of art garnered admiration and acclaim from enthusiasts and experts alike.
Today, we celebrate Tapio Wirkkala as a visionary pioneer who seamlessly merged artistry with functionality. His enduring legacy serves as a testament to the limitless possibilities of design, inspiring generations of artists and designers to think beyond the confines of tradition and embrace their creative instincts.
